Discover exclusive insights from a collector revealing Canadian origin of rare Auschwitz photos from its early days

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Collector shares new details about Canadian provenance of long-lost photos showing early days of Auschwitz



In a groundbreaking discovery, a new collection of photographs has shed light on the first mass deportation of prisoners to the Auschwitz Nazi camp in 1940. The photographs, which had previously belonged to a Canadian lawyer, were sent to Marek Tomaszewski, a collector of historical memorabilia. Upon receiving the black-and-white images, Tomaszewski realized their significance and authenticity. He later published them in a book entitled Tarnów – KL Auschwitz: First Transport to Hell. The photographs offer a unique insight into the early operations of Auschwitz, which began as a place of repression against the Poles before it transformed into an extermination center. The discovery of these images not only expands our knowledge of Auschwitz but also provokes thought on the importance of historical documentation.

Unveiling the Past: The Discovery of Auschwitz Photographs

The journey began on March 1, when Marek Tomaszewski received a file attachment via WhatsApp from a friend in Canada. As a meticulous collector of historical artifacts, he immediately recognized the significance of the black-and-white photographs of Tarnów, a Polish city. It was later revealed that these previously unknown pictures captured the historic moment of the first mass deportation of prisoners to Auschwitz. The discovery was made public on the anniversary of the deportation, with Tomaszewski’s publication of the images in his book. Not only do these photographs offer a new perspective on Auschwitz’s operations, but they also shed light on a lesser-known aspect of the camp’s history: its origins as a place of repression against the Polish people.

A Glimpse into Auschwitz’s Early Days

The newly discovered photographs have been deemed as noteworthy as two other well-known albums: one belonging to Lily Jacob, a camp survivor, which showcased the arrival of Hungarian Jews in 1944, and another belonging to SS officer Karl Höcker, featuring images of SS guards and auxiliary members enjoying their leisure time away from the camp. Like these albums, the recently found photographs offer a glimpse into Auschwitz’s early days without explicitly revealing the camp’s barbarity. Instead, the images capture a moment in time when 728 men were innocently led to a train ramp, unaware of their destined fate. The photographs are unique in that they provide invaluable insights into the early operations of the camp, giving us a deeper understanding of the transport process and the camp’s initial stages.

Tracing the Provenance of the Photographs

The origin of these photographs lies with a Toronto-area lawyer who had a keen interest in wartime photography. After purchasing the album from a collector in Berlin, the lawyer did not discuss or share the images with anyone. Following his death, his children sold his collection, and eventually, a friend of Marek Tomaszewski acquired the photographs in Canada. Upon recognizing the historical significance of the images, Tomaszewski was able to confirm their authenticity by matching details such as the distinct façade of the Jewish bath house in Tarnów and the use of a passenger train during the deportation. The photographs offer a chilling glimpse into the lives of the men who unknowingly became the first victims of Auschwitz.

Surviving Auschwitz: A Story of Resilience

One of the prisoners depicted in the photographs, 17-year-old Sigmund Sobolewski, survived more than four years at Auschwitz before immigrating to Canada. In his biography, “Prisoner 88: The Man in Stripes,” he recounts the experiences of thousands of Poles who were rounded up and detained following Germany’s invasion in 1939. The first transport of prisoners from Tarnów endured a grueling journey that included stopovers and exhausting drills while housed in a warehouse. The horrors they faced in Auschwitz were unimaginable, and Sobolewski emphasized the need to let go of preconceived notions and focus solely on survival in the face of such atrocities.

In Conclusion: A Reminder of the Past

The discovery of these photographs is a potent reminder of the history we must confront and examine in order to prevent its repetition. The images of the men unknowingly marching towards Auschwitz challenge us to reflect on the importance of historical documentation and the power of photography. While the full extent of the camp’s horrors cannot be captured within these photographs alone, they serve as a significant piece of evidence that contributes to our understanding of Auschwitz’s earliest operations. Their profound impact extends beyond Poland, urging us to learn from the past and strive for a future where such atrocities are never repeated.



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